The infamous Norwegian heavy metal quintet, best known as preachers of the ‘apocalypse of the civilized world’ and being observed claiming responsibility for catastrophes such as global warming, epidemics, and commercial radio. They seem to be using their mesmerizing heavy metal music to lure young and old into their cultist organization.

A spokesman of the group has been quoted with the following comment regarding the choice of musical direction: “I’m intelligent. Some people would say I’m very, very, very intelligent. According to my research, Heavy Metal is the most commercially available, sexy, and danceable genre out there. It was quite obvious, really”.

The band has been nurtured, cultivated, and refined to write, perform and seduce on a level that few can assert to; this is under close observation of the terrifying and quite flamboyant frontman under the name «The Singer.»

The dust has just settled after their debut album «Resilient» 2018, produced by Kjartan Hestehaugen and Ronni Le Tekrø(TNT). The follow-up album «Civilization Maximus,» Produced by Titan Labs studio/Riccardo Daga, is expected to be released late summer of 2020. The follow-up album, produced by Titan Labs studio/Riccardo Daga, released September 18, 2020. «Civilization Maximus» features nine tracks circulating a theme of manipulation/indoctrination as the band ventures deeper into the antagonistic rabbit hole.

Wail has been getting recognition as a hard-working live band on both festival and club scenes, and the response is usually in the vein of ‘International standard’ and ‘who or what the hell are these people?’. The group prefers not to discuss the latter. Get ready to rejoice in salvation, tribalism, and an oblique glance at extremism because you are hereby invited to partake in song, a secret, a promises of eternal life, presented by the masterful crossroad salesmen of Wail whom might not be as glamorous as they make themselves out to be.